5 November 2018 § Leave a comment
As soon as Frieze makes its annual appearance in Regents Park everyone knows that it is time to check out the London art scene. The annual schedules of the galleries – both commercial and public – are all heavily weighted towards the Autumn and the most important names carefully lined up for exhibition. This is the time when anyone can get an all-round view of global trends without leaving central London.
With the twin clouds of Brexit and falling market confidence hanging over the art world, it was good to arrive at Frieze to receive a David Shrigley newsflash accompanying the Art Newspaper – NEWS: PEOPLE GATHER IN LARGE TENT. It helped to lighten the mood – for more of Shrigley you could visit Stephen Friedman where he took over the whole stand and showed some witty neon works alongside his more usual sketches and bonkers animations.
Also lightening the mood were US artist Julia Scher’s pink-clad pensioner security guards who were regularly seen patrolling the fair.
As seemingly has been the trend for several years now the big institutional-type works were largely absent from a show that was dominated by smaller and mid-ticket works. An ugly and rather pointless exception was Tatiana Trouvé’s The Shaman which nevertheless apparently sold on the first day. Many other big name – big ticket items were perhaps held back for gallery events or even Frieze Masters.
Swiss artist Urs Fischer dominated the show entrance at Gagosian with a suite of iPad paintings printed on to reflective aluminium panels. All show his New York home with the image disintegrating across each set as if digitally erasing itself.
This years #metoo angled theme was Social Work, exploring how women artists looked at political activism within their work. With artists including Faith Ringgold, Sonia Boyce, Helen Chadwick, Nancy Spero and Berni Searle it was however somewhat underwhelming and could easily be passed largely unnoticed.
As usual though there was plenty to enjoy and here are a few of the other works that caught our eye:
Last but not least, as you leave the fair in Regent’s Park, perhaps to venture up to Frieze Masters, some twenty five different sculptures were dotted throughout the greenery and included Kimsooja (above), Rana Begum , Tracey Emin, Conrad Shawcross and Elmgreen & Dragset. They will remain until the end of Frieze week.
CELLOPHANELAND* were guests of Frieze London
For more information visit www.frieze.com
This post was also published at CELLOPHANELAND*
18 November 2015 § Leave a comment
The preview day of Frieze always provides plenty of visual stimulation – both on and off the exhibiting gallery walls. As we shimmied past the likes of Benedict Cumberbatch, Tom Hooper, Tommy Hilfiger and Valentino we made our way around the fair to see what was on offer this year.
Glenn Brown was our undisputed favourite this year with a stand full of great pieces at Gagosian, including these examples of both oil and sculpture.
The young sensation Eddie Peake had two stunning works on show.
There were two superb Michael Fullerton portraits showing at the Carl Freedman Gallery.
The underrated Billy Childish had a large scale work, also at Carl Freedman.
A colourful large scale Allen Jones was a great example of his work.
Ai Weiwei has been dying his roots.
Self Portrait in bath by Tracey Emin underwhelmed us, but here are some others that drew our attention:
Frieze London runs until Saturday 17 October 2015. For more information visit www. friezelondon.com
For more information visit www. friezemasters.com
Images by CELLOPHANELAND* and courtesy of Frieze