18 November 2015 § Leave a comment
The preview day of Frieze always provides plenty of visual stimulation – both on and off the exhibiting gallery walls. As we shimmied past the likes of Benedict Cumberbatch, Tom Hooper, Tommy Hilfiger and Valentino we made our way around the fair to see what was on offer this year.
Glenn Brown was our undisputed favourite this year with a stand full of great pieces at Gagosian, including these examples of both oil and sculpture.
The young sensation Eddie Peake had two stunning works on show.
There were two superb Michael Fullerton portraits showing at the Carl Freedman Gallery.
The underrated Billy Childish had a large scale work, also at Carl Freedman.
A colourful large scale Allen Jones was a great example of his work.
Ai Weiwei has been dying his roots.
Self Portrait in bath by Tracey Emin underwhelmed us, but here are some others that drew our attention:
Frieze London runs until Saturday 17 October 2015. For more information visit www. friezelondon.com
For more information visit www. friezemasters.com
Images by CELLOPHANELAND* and courtesy of Frieze
11 July 2011 § 2 Comments
Amazingly I have now been blogging my way through the London art scene for a whole year now. I thank all those of you – some 20,000 – who have bothered to read my assorted ramblings.
Meanwhile, thanks to the nice people at WordPress, there are all sorts of reports and analyses to discover what the great British public (clearly in this case a notch above the average!) really are interested in. Which blogs were most read, the search terms you used to find the site and what you had for breakfast? I shall reveal all….
OK, not your breakfasts, but you get my drift – there is an awful lot of analysis available and there are all sorts of statistical traps to tumble in to, the chief one being that any ‘visitor’ analysis reflects what I have actually written about eg: Marc Quinn would not be on the list because I did not write about him. Another problem is that even if I wrote about ‘Picasso’ daily who who click my blog amongst the zillions of Picasso search results? Treat the ‘charts’ below with caution but you never know they may actually reveal something?
1. Most visited and searched of the year, by a mile, was Pordenone Montenari, an unfortunate recluse who was rocketed in to the news by an Indian fund manager who thought that he could make a quick buck by promoting him as a newly discovered genius – he isn’t (image above).
2. I spent a couple of spare hours compiling a brief list of art-related humorous quotes and jokes. Sadly it trounced many deeply considered blogs of serious critical analysis and was second most searched. Oh well…
3. Amazingly Wolf Vostell came in third. I wrote just one feature about him and commented that he was sadly ignored in the annals of post-war art. Obviously not by many hundreds of you! Exhibition curators take note…
4. Ah, then comes the first contemporary artist – clearly it will be Emin, Hirst or Banksy perhaps? No, it is Eugenie Scrase, the oft- ridiculed winner of TV’s School of Saatchi. Ignore the power of TV at your peril. Worth a flutter if she ever gets a solo gallery show.
5 & 6. Perhaps we shall now get on to some serious art? Nope. Next is Ben Wilson the ‘chewing gum artist’. Well, he is quite interesting. Picasso slips meaninglessly in at 6th before the next half-dozen places. These are taken by contemporary artists of which I have featured literally hundreds, many of them mentioned numerous times. I have covered all the emerging artists championed for example by Saatchi and the top commercial galleries. Are these the ‘cream’ of those featured? Is too little being written about them? Should we take more notice of them in the future?
9. Alison Jackson. Hilarious and sometimes disturbing photos that ‘depict our suspicions’. Wry comments on our relationship with celebrity.
10. Wangechi Mutu. Striking paintings and collages referencing cultural identity.
11. Michael Fullerton. A brilliant show at Chisenhale and with work in British Art Now 7, his star is rising fast.
12. Following closely behind was Ida Ekblad, young and inventive Danish multi-media artist.
13. Clare Woods paints the strange, dark world of urban undergrowth.
Following close behind are Littlewhitehead and Toby Ziegler. A little farther back is Damien Hirst – perhaps surprising he’s not higher, but then again he does get rather a lot of column inches written about him.
Biggest surprise? Perhaps the fact that Tracey Emin is not on the list – or in fact even in the top 50 artists – despite the fact that my Love is What You Want Hayward review appears on the first couple of pages on a Google search and that I have featured her regularly when in contrast eg: Olivier and Ekblad I featured just once. Emin perhaps is not what you want?
So there we have it. After a year of careful and deep intellectual musing on the complexities of the contemporary art scene what you really were most interested in were an Italian recluse and a few jokes. Now where did I hear about that one legged, reclusive, dwarf, artist?
14 April 2011 § 1 Comment
Fruchtbaresland (barren land) is, like every Carl Freedman exhibition, makes a detour to the barren lands of East London well worth while. A group exhibition that opens today, it includes Armando Andrade Tudela, Michael Fullerton, Thilo Heinzmann, David Brian Smith and Catherine Story.
At the end of the gallery a fabulous new work by Smith (another future ‘One to Watch’!) grabs the attention. He draws on autobiographical incidents and memories which root his colourful and intricate landscapes in the real world. With their ‘intense palettes, dramatic skies, folkloric subjects, and passages of pure dream-like invention, they radiate an almost spiritual quality’. Saatchi showed his work at British Art Now and has also quietly been buying more of his work.
Fullerton’s painting Something That Originates Or Results From Something Else; Outcome; Issue (2011) enters sexual and political territory and is one of his best. This striking portrait is of Mary Palevsky – is the progeny one of the creators of the atomic bomb – which ushered in the the nuclear age and a new political era. Having been included in British Art Now 7 – In the Days of the Comet, amongst other important exhibitions, Fullertons reputation is rocketing – no pun intended!
Thilo Heinzmann’s delicate landscape of splattered pigment is also excellent and gives the exhibition its title. I am not really sure that this title really ties the works on show together and it is clearly an opportunity for Carl to show a number of his stable – but who really cares when everything in this small gallery is well worth seeing?
19 October 2010 § Leave a comment
It seems rather superfluous to note that once again that Frieze is the event of the UK art world calendar – but, there you go, I have just done it anyway. The game that everyone plays around the time of the fair is trying to spot the trends. Which artists are up, which are down, who is hottest, who is buying, who is not buying, and so on. It is a game that not only takes place in Frieze itself, but in the, ever-increasing, multiplicity of private views, auctions, exhibitions, parties, openings and satellite fairs that clog up the middle of October.
Amongst other complications dealers and galleries will do their best to confuse the issue by talking up their own artists and increasing their perceived desirability by hanging work that is already sold (or not for sale) or keeping you holding for work that they had already planned to sell elsewhere.
It would take weeks to try to analyse all of the trends and even then, as I have suggested, it is far from clear. What is perhaps easiest to spot is which young artists seem to be on the up. I mention prices, despite a frequent feeling in the art world that it is somehow vulgar to do so. My feeling is that if you have a ‘shop’ and sell objects it is rather pretentious not to. I also note them as a kick up the arts aims to look at investing in art as well as aesthetics – to create a collection, sadly, you need to pay! Revealing my preference for painters and oil, here are my top six:
6. William Daniels. Hardly ’emerging’ but his stock is rising well with a nice selection of paintings selling out at Vilma Gold gallery. Some questions of whether he is a little ‘stuck in a rut’ with his style and subject very much the same over the last few years. Not greatly prolific however, so the market is not flooded. Prices creeping up from a few £k in to the tens.
5. David Smith. Already has had three solo shows in the last four years at the good-at-spotting-upcoming-talent Carl Freedman Gallery just round the corner from White Cube Hoxton. Mesmerising paintings that drip with feeling. All works sold quickly at about £12-14k
4. Simon Fujiwara. You could not help seeing his Frozen ‘intervention’ which you would, almost literally, trip over throughout the Fair. Based on the conceit that the fair was built over a newly-discovered Roman city, mini ‘excavations’ were exposed around the site. One ‘important’ section of the dig even had a resident ‘archaeologist’ busily working with towel, tweezers or magnifying glass on the latest discovery. Priceless.
3. Lesley Vance. Reputable LA gallery David Kordansky devoted a large section of their stand to a display of Vance’s modestly sized abstracts. Working back from photographs of still lifes she creates dense and atmospheric works. Needless to say – all sold at over £10k
2. Jessica Dickinson was exhibited in the Frieze Frame section showcasing young artists. Shown by NY gallery James Fuentes Dickinson’s airy, pastel-coloured abstractions involved layering and reworking to reveal a sense of time or even timelessness. The works reminded me of Makiko Nakimura at the small Albemarle Street Gallery – John Martin – also worth a look . Both must be seen in real life as images fail to show the depth of work. Price of Dickinson £?, Nakamura £3 to 9k.
1. Simon Fullerton. Another Carl Freedman artist who has had a recent solo exhibition at the charitable Chisenhale Gallery space. Fullerton’s enigmatic, undeniably attractive, portraits each have a hidden story. The stories are usually of loss, sadness or exploitation. Just over £12k, and no doubt rising soon, for the portraits.
- Artifacts | Fair Trade-Off: Frieze Week in London (tmagazine.blogs.nytimes.com)
- How to succeed at Frieze (newstatesman.com)
- Frieze week exhibitions round-up, reviews (telegraph.co.uk)
- Art dealers encouraged by early sales at London’s Frieze (cnn.com)