11 October 2011 § Leave a comment
It would be rather superfluous to attempt a full review of this highly anticipated exhibition with so much having been written about it already. Everything that I have read is flattering, and with good reason, this is probably the best show of the year.
Here is a painter who examined the possibilities of painting, even when deeply unfashionable, and repeatedly revealed radically new ways to challenge assertions that painting was dead. He confronted Duchamp head on with his own ‘nude descending a staircase’ and blank panes of glass; he blurred photographs and used found imagery; he declined to use colour, then used it randomly in coloured squares or huge abstracts ; he got political and also claimed to say nothing. The Tate meanwhile guide us through his range of work and styles with great imagination and sympathy.
Tate Modern until 8 January 2012.
30 September 2010 § Leave a comment
The key shows for the 2011 have just been announced by the Tate. At Tate Britain Watercolour traces the medium from its beginnings, ‘through to William Blake and JMW Turner, right up to Patrick Heron and Tracey Emin.’ The exhibition starts on the 16 Feb 2011. It is interesting to have a show on an unfairly criticised and oft-neglected medium, but why is Tracey Emin there (again) when her links with watercolour are pretty tenuous and less worthy of examination than many, many other fine artists? Somebody please tell the Tate that we do not need the names of Hirst, Emin et al thrown about in order to draw us to the exhibitions.
The summer 2011 blockbuster is Joan Miró at Tate Modern. apparently the first Miró retrospective in London for over 50 years it opens on the 14 April. I shall look forward to seeing lots of his surrealistic early works, but Miro lived a long life, dying at over 90 years of age, and it will be more fascinating to assess the quality of his later work, usually regarded as inferior. Will the show provide any new insights?
Talking of surrealism Tate Liverpool shows René Magritte from 24 June to 16 October, and following, among others, Paul Nash at Dulwich and the Surreal House at the Barbican it looks like a good run for art from the subconscious. Magritte is a fascinating artist but will a whole show be just one bowler hat too many? Meanwhile how about an exhibition of the rather neglected Max Ernst sometime soon?
The Autumn arrives with the apocalyptic destruction of John Martin on 21 September 2011, closely followed by a fascinating Gerhard Richter survey at Tate Modern on 6 October 2011. We have hardly been starved of Richter in recent years but a big show will be very welcome and will be certain to cement his position as one of the leading post-war artists.
Overall, not a bad selection and plenty to look forward to, but is it all rather safe and, dare I say ‘old-fashioned’? There are more shows yet to announce but just where are the exciting new artists? Where is the very best and latest in contemporary art? Hopefully in shows yet to be revealed but don’t hold your breath!
Incidentally the images shown above are not necessarily in the exhibitions – although I hope that they are!
- Tate Modern to display Miro work (bbc.co.uk)