Re-View: Onnasch Collection at Hauser & Wirth

18 November 2013 § 2 Comments

The must-see museum show of the winter season is a surprise. Not Klee at the Tate or another at a major institution but instead it is a show at a commercial gallery Hauser & Wirth – Re-View: Onnasch Collection.

Jerry Bell

Jerry Bell

Hauser & Wirth of course is not any old commercial gallery but an international powerhouse that represents many of the world’s leading artists. It has taken the unusual move to put aside all three of its London spaces to a non-profit show curated by their highly paid new partner Paul Schimmel, previously of the Museum of Contemporary Art, Los Angeles

The exhibition is that of the collection of former dealer Reinhard Onnasch, who owned galleries in Berlin, Cologne and New York. Seemingly a gallerist who preferred to keep rather than sell he gathered together an unmatched collection that has become a guide to major artists and movements of post-war art, particularly from America.

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 The Piccadilly gallery features early assemblages and combines, most noticeably by Ed Kienholz – a master of the creepy assemblage and unsettling juxtaposition.

Ed Kienholz

Ed Kienholz

Over at Savile Row the galleries are dedicated initially to pop art, with a group of Claes Oldenburg’s faamous soft sculptures, as well as Jim Dine and Claes Oldenburg. Other minimalist and conceptualist art includes Richard Serra and Dan Flavin.

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Next door is another gallery featuring American abstraction, including works by Frank Stella, Ad Reinhardt, Cy TwomblyMorris Louis and Clyfford Still.

Robert Rauschenberg

Robert Rauschenberg

It would take a book to do justice to all the works and their interlocking influences. This is a museum quality display, beautifully curated and comprising works that even the Tate would die for.

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Naturally Hauser & Wirth are not exhibiting for the general benefit of the public at large but to boost their own standing. It oozes power, influence and money. It aims to place the gallery in an art historical context and looks to drag their own stable of artists along with it.

Paul Schimmel

Paul Schimmel

Take full advantage of the gallery’s attempt to inflate its standing and drop in whilst you are Christmas shopping in Bond Street (!) to see this wonderful show before it ends.

‘Re-View: Onnasch Collection’, Hauser & Wirth London until 14 December 2013

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twombly and poussin: arcadian painters at dulwich picture gallery

4 August 2011 § Leave a comment

As I speculated a few months back when this exhibition was announced, this did not look promising – a car crash waiting to happen. An opportunistic exhibition seizing on the fact that Cy Twombly was heavily influenced by Nicolas Poussin (he once said that he‘would have liked to have been Poussin’)  and that he, like Poussin, moved to Rome to paint his versions of the ancient myths.

From the moment that you step in to the first room you realise that this exhibition is indeed is a mistake. Twombly’s big energetic works require space and demand to be experienced – they shout at you. Poussin’s work needs quiet contemplation – perhaps they whisper. Bringing together two artists should create new understandings and add to the works on show. This one detracted – I longed to see Twombly by himself and Poussin was made to look dull. You might as well have Clarkson drag-racing a Rolls Royce and a Ferrari – there simply is no point, each is great on its own.

There were nevertheless some good points. It was good to see a number of Cy Twombly works together – especially the four seasons – hung on three sides of a room with no Poussin to distract – whilst across the corridor the same applied to a room of Poussin. A delicate Tacita Dean film portrait of Twombly at the end of the exhibition was a nice addition and last but not least a cappuchino in the gallery’s cafe facing the gardens is always enjoyable.

This was not a match made in heaven – or Arcadia. One of course suspects that the gallery knew this too but they also realise they there is limited scope for interaction for their collection and the crowd-pleasing world of modern and contemporary art. The result is hardly perfect but it is probably worth going for a  look at the wreckage!

 On until 25 September 2011 at the Dulwich Picture Gallery

twombly and poussin: arcadian painters

13 January 2011 § 1 Comment

Whilst viewing the Norman Rockwell (reviewed in a recent post) at the lovely Dulwich Picture Gallery I took a look through their upcoming programme. The most intriguing of combinations arrives on the 29 June 2011. The American post-war artist Cy Twombly is paired with Poussin,  the 17th Century painter of neo-classical landscapes.

The exhibition seems to have been founded on a Twombly quote; “I would’ve liked to have been Poussin, if I’d had a choice, in another time.”  

The Gallery states that ‘Separated by three centuries the two artists nonetheless share remarkable similarities. The connections are highlighted through the key themes of Arcadia and the pastoral, passion and love, violence and war and mythological figures that are central to both artists’ work.’

On the face of it these are two artists linked by the thinnest of threads. One cannot accuse the gallery of being unadventurous and this will be a tough exhibition to pull off successfully. Despite reservations I do however look forward to seeing them try!

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